Looks great Andrew. Glad I’m not the only one using blue tack for this purpose either….
Thanks Tim...... I've still not worked out a better way of holding a vehicle so I can paint it in one go. I normally use something like the stand below with a little bit of blue tack on the end, which is pushed through the turret mounting hole to stick to the base of the hull but in this case it wasn't quite long enough for what I needed hence the Blu-Tack around the hole....Looks great Andrew. Glad I’m not the only one using blue tack for this purpose either….
Agreed.....I just need to stick the magnets I recently bought to the tees I already have.I’ve got many little blocks like that, differing in some ways, used for various projects over the years. Can’t beat golf tees for small figures though…..
RickHi Andrew, the black primed is (IMO) too dark for the scale you are working in. I black primed one tank in 1-87 scale and noticed right away it was too dark even after I had cut the color with white. You are just going to have to play around with it to get the effect you are after. I like the effect of the second effort, as it is subtle but still shows the tonal differences quite well without over darkening the base coat........beauty is in the eye of the beholder. Rick H.
Not sure I agree with young Rick there. I just think the paint job isn’t finished yet. If you gave that black primed one Zenitel highlights with a lightened shade of the main colour it would really pop. If you pin washed it and dry brushed high highlights it would really enhance the 3D effect. The least successful is the pre shaded version. The top coat is too opaque for the pre shade effect to work. All three are excellent examples of airbrush finish though. Really smooth tight paint jobs.
Andrew.
Firstly sorry I've not been following this , so apologies.
Junior is doing well as as Mike says nice to see him doing something with out a screen .
Love the kits, bit too small for my eye, but the detail from the photos you could take them for 1/35 .
As to the painting I'm with Tim think the black primer works a treat with the green .
Sorry Rick
Nice experimentation Andrew. Another good Vallejo base colour for tracks is model colour German Camo Black brown 822. These look great though. My favourite is the preshaded one.
Very interesting Andrew, still prefer the preshade to the other two. Although the black primed variant runs a close second. Tracks coming along nicely. Rick H.
Thanks Tim.For pin washing I usually go with a fifty fifty mix of black and burnt umber oils on a green vehicle.
Good morning all
So a bit more progress this week and a bit of a mini-breakthrough on the AB front for me.
Although I've had a compressor and ABs (of varying quality) for three and half years now, because of my set up (and family life), getting consistent use has not always been easy and in some case there are literally months between an AB seeing paint/primer. This means that I'm not as far along as I should be with it and whilst I generally get on ok with general spraying, I have struggled with the really fine stuff in particular.
In the last couple of weeks I've been rereading some online articles and watching a couple of YouTube vids and experimenting again - not quite going back to basics but a definite reworking of my 'technique'. As a result, I feel like I've almost cracked the Holy AB Trinity of needle size, pressure and paint consistency - sPending half hour or more on Wednesday just doodling on a piece of paper working out again how far I could and couldn't push things, and getting some really fine lines even with my 0.4mm needle. Obviously I realise paper is a lot more absorbent than plastic and so it's less likely to run but it's definitely progress and I'm seeing a lot less of the dreaded dry tip!!!
Anyway back to the models.......
I've finished the base coats now to my satisfaction and even started on the tracks (by hand).
The grey pre-shaded version has not quite worked as I was hoping but you can see some tonal variation, I perhaps wasn't heavy enough with the pre-shade. I'm really pleased with how the black primed version turned out in terms of the effect, although I suspect it's too dark for this scale.
Most of the pictures were taken with our digital SLR outside, so the colours are pretty close but the shading effects didn't come out so well, so I took a final shot under lamplight so you can see the effects - albeit it's a bit washed out.
I was planning to go over all of the areas that see a bit more light in a slightly lightened version of my SCC 15 mix to give a bit more depth before a final light drybrush on the raised areas.
What do you think??? All advice welcomed!
ACW as usual on the progress so far!
ATB.
Andrew
---------------------------------------------------
As before - flat grey primed kit left, grey with pre-shade centre and black primed right.....
Reverse order.....
Usual order but under lamplight......
My doodling....it may be old hat to some of you but it was real progress for me...and even my wife was watching me do it in genuine interest!
02.mm needle first (green paint was a bit too thin for such close work - another lesson learnt). In some cases I had the end of the AB on the paper as I drew it across....couldn't have done that before......also get a very good idea of how long I could linger in one spot before I started to flood it, even on the paper
0.4mm needle...
Andrew havent looked further down the page yet but great work all round ,if you look at most of my build pics your see corresponding pieces of paper ,when they ask for printer paper in our house I always try and buy better quality stuff not for them but because it takes spray paint better(more closed face and shiny stuff I presume) pressure and mix always tested on paper before I even go near my build ,left over paint in in airbrush cup no good for anything so I use it up practicing òn the paper again ,the only part I struggle with is working distance from target....I never detail paint the underside of afv's but do prime and spray as per the rest of what I'm trying to achieve this leaves a little bit of blank canvas to test diffrent washes filters etc before taking them topside specifically the dreaded varnish which you can't test on paper. Sorry to have prattled on but its the simple little things that can save a lot of spherical shaped ache. Work calling will catch up later as I've said great stuff it shows what a little practice and patience away from the build does to your confidence. DaveGood morning all
So a bit more progress this week and a bit of a mini-breakthrough on the AB front for me.
Although I've had a compressor and ABs (of varying quality) for three and half years now, because of my set up (and family life), getting consistent use has not always been easy and in some case there are literally months between an AB seeing paint/primer. This means that I'm not as far along as I should be with it and whilst I generally get on ok with general spraying, I have struggled with the really fine stuff in particular.
In the last couple of weeks I've been rereading some online articles and watching a couple of YouTube vids and experimenting again - not quite going back to basics but a definite reworking of my 'technique'. As a result, I feel like I've almost cracked the Holy AB Trinity of needle size, pressure and paint consistency - sPending half hour or more on Wednesday just doodling on a piece of paper working out again how far I could and couldn't push things, and getting some really fine lines even with my 0.4mm needle. Obviously I realise paper is a lot more absorbent than plastic and so it's less likely to run but it's definitely progress and I'm seeing a lot less of the dreaded dry tip!!!
Anyway back to the models.......
I've finished the base coats now to my satisfaction and even started on the tracks (by hand).
The grey pre-shaded version has not quite worked as I was hoping but you can see some tonal variation, I perhaps wasn't heavy enough with the pre-shade. I'm really pleased with how the black primed version turned out in terms of the effect, although I suspect it's too dark for this scale.
Most of the pictures were taken with our digital SLR outside, so the colours are pretty close but the shading effects didn't come out so well, so I took a final shot under lamplight so you can see the effects - albeit it's a bit washed out.
I was planning to go over all of the areas that see a bit more light in a slightly lightened version of my SCC 15 mix to give a bit more depth before a final light drybrush on the raised areas.
What do you think??? All advice welcomed!
ACW as usual on the progress so far!
ATB.
Andrew
---------------------------------------------------
As before - flat grey primed kit left, grey with pre-shade centre and black primed right.....
Reverse order.....
Usual order but under lamplight......
My doodling....it may be old hat to some of you but it was real progress for me...and even my wife was watching me do it in genuine interest!
02.mm needle first (green paint was a bit too thin for such close work - another lesson learnt). In some cases I had the end of the AB on the paper as I drew it across....couldn't have done that before......also get a very good idea of how long I could linger in one spot before I started to flood it, even on the paper
0.4mm needle...
RickOn the preshade model I would do as Tim suggested......this would go a long way in defining the details in recessed areas and then I would consider drybrushing with ever lighter shades of the base color to "pop" the highest surfaces.........if I understand the "Marlow" method correctly.
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