PaulinKendal
SMF Supporter
Thanks Tim. What time gap between coats? (Discovering it strips off with lacquer thinner very easily).
The Choice
- Thread starter PaulinKendal
- Start date
In my experience a couple of minutes, really once the shine goes. It gets touch dry really quickly. Once primed I always leave overnight before painting though……
PaulinKendal
SMF Supporter
Helpful as ever, Tim. Thanks very much.
PaulinKendal
SMF Supporter
It was over a month ago now that I started struggling with the primer coats on these two figures. Since then I've stripped them back twice, and re-primed them three times!
Third time lucky, I guess. Thanks to great advice once again from @Tim Marlow - thats a smooth enough finish for me. I can see myself using lacquer primer more often...
Third time lucky, I guess. Thanks to great advice once again from @Tim Marlow - thats a smooth enough finish for me. I can see myself using lacquer primer more often...
PaulinKendal
SMF Supporter
I'm enjoying painting this little one.
A tiny green gemstone at her throat.
Fabric effect shamelessly stolen from Roman Lappat's painting of the same figure.
A tiny green gemstone at her throat.
Fabric effect shamelessly stolen from Roman Lappat's painting of the same figure.
scottie3158
SMF Supporter
Nice really like the cloak.
Superb work on the gemstone. Love the colour wisp in the middle, it looks utterly convincing.
PaulinKendal
SMF Supporter
So that's the second figure (of three) completed. Her name is Kyra, and she kicks ass.
Jim R
SMF Supporter
Another stunner Paul. Glad you sorted your primer issues. Very frustrating!
Mark1
SMF Supporter
Excellent.
scottie3158
SMF Supporter
Excellent work
Lovely job Paul. Texture on the cape works well.
Wow Paul!!! She is too cool!!! Fantastic painting skills and I bet that cape took quite a long time to paint too. She must be small, or you have gigantic hands Sir...
Prost
Allen
Prost
Allen
PaulinKendal
SMF Supporter
Thanks everyone.
The cape did take some time - I'm discovering that freehand is labour-intensive, with a great deal of continuous correcting. But I'm well-happy with the end result - looks believably like a soft woollen garment.
It's surprising how little touches can make a big difference. Despite highlighting the ridges and shading the deepest folds, the cape didn't look right until I placed a pale reflection right at the bottom of the deepest folds - that was transformational.
Her jumpsuit is supposed to be yellow leather - while it looks good, I'm not sure I've completely sold the idea it's made of leather.
Ha ha, no, normal sized hands here. She's nominally 75mm scale, but because she's an elf she's actually 50mm from the soles of her feet to her eyeballs.
The cape did take some time - I'm discovering that freehand is labour-intensive, with a great deal of continuous correcting. But I'm well-happy with the end result - looks believably like a soft woollen garment.
It's surprising how little touches can make a big difference. Despite highlighting the ridges and shading the deepest folds, the cape didn't look right until I placed a pale reflection right at the bottom of the deepest folds - that was transformational.
Her jumpsuit is supposed to be yellow leather - while it looks good, I'm not sure I've completely sold the idea it's made of leather.
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Edge highlights do really make the elements stand out. Must admit I thought the yellow was cloth, but I wouldn’t know how to make it look differently myself apart from a slight sheen….